DEATH OF A SALESMAN WEST END
“I don’t say he’s a great man…but he’s a human being, and a terrible thing is happening to him. So attention must be paid. He’s not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.”
Following her recent award-winning success for Company and Angels in America, Marianne Elliott co-directs with Miranda Cromwell, (Associate Director on Company and Angels in America), bringing a unique vision to one of the greatest plays of the twentieth century, seen through the eyes of an African American family.
Wendell Pierce (The Wire, Suits, Selma) makes his UK stage debut as Willy Loman, with Olivier Award-winning Sharon D. Clarke as Linda Loman and Arinzé Kene (Misty, Been So Long) as Biff Loman. They are joined by Ian Bonar as Bernard, Trevor Cooper as Charley, Martins Imhangbe as Happy Loman, Joseph Mydell as Ben Loman, Nenda Neurer as Letta, Jennifer Saayeng as Miss Forsythe, Matthew Seadon-Young as Howard Wagner and Stanley, and Maggie Service as The Woman and Jenny.
REINVENTION OF A MASTERPIECE
FRESH REVIVAL OF AN OLD GREAT
A PHENOMENAL PRODUCTION THAT UNQUESTIONABLY FINDS NEW DEPTHS TO THE PLAY
FRESH, COMPASSIONATE AND ULTIMATELY DEVASTATING
A TRANSFORMATIVE, BRILLIANT STAGING WHICH OFFERS A DAZZLING NEW LOOK AT A DAZZLING PLAY
10 Weeks Only From 24 October
Piccadilly Theatre, 16 Denman St, Soho, London W1D 7DY
Young Vic Priority Onsale – 10 June
General Onsale – 13 June
Cast and Creative
Marianne Elliott is Artistic Director of Elliott & Harper Productions alongside her producing partner Chris Harper. Elliott & Harper’s most recent shows include Stephen Sondheim’s Company at the Gielgud Theatre and the West End premiere of Heisenberg: The Uncertainty Principle both directed by Elliott; and the co-production of The Lion, the Witch and the Wardrobe, directed by Sally Cookson at West Yorkshire Playhouse. Company received 4 Olivier Awards including Best Musical Revival and received 2 Evening Standard Awards including Best Director.
Marianne Elliott was an associate director at the National Theatre for ten years where she most recently directed Angels in America which transferred to Broadway in March 2018 where it won three Tony awards, including Best Revival and an additional eight Tony awards nominations including Best Director.
Elliott’s other productions for the National Theatre include War Horse which she co-directed with Tom Morris (and West End and Broadway transfers; winner of the Tony Award for Best Direction of a Play), and she directed The Curious Incident of the Dog in the Night-Time (also West End and Broadway; Olivier and Tony Awards for Best Director and Best New Play; South Bank Sky Arts Award). Other plays at the National Theatre include Husbands & Sons(a co-production with the Royal Exchange), Rules for Living, The Light Princess, Port, Season’s Greetings, Women Beware Women, All’s Well That Ends Well, Mrs Affleck, Harper Regan, Saint Joan (Olivier Award for Best Revival, South Bank Show Award), Thérèse Raquin and Pillars of the Community(Evening Standard Best Director Award). She was an associate director at the Royal Court, where her productions include Stoning Mary, Notes on Falling Leaves, The Sugar Syndrome and Local.
Previously she was an artistic director of the Royal Exchange where she directed Port, Design for Living, Les Blancs, As You Like It, A Woman of No Importance, Nude with Violin, Fast Food, Martin Yesterday, Deep Blue Sea, Mad for It, Poor Superman and I Have Been Here Before. Other theatre includes Sweet Bird of Youth at the Old Vic; Much Ado About Nothing for the RSC; and The Little Foxes at the Donmar Warehouse.
Marianne is currently co-directing Arthur Miller’s Death of a Salesman alongside Miranda Cromwell at the Young Vic, starring Wendell Pierce, Sharon D. Clarke and Arinze Kene.
Theatre includes: The Chalk Garden, random/generations, Present Laughter, Quiz, The Norman Conquests, The Stepmother, Fiddler on the Roof, Sweet Bird of Youth, Caroline, or Change, Strife, Mack and Mabel (Chichester Festival Theatre); Long Day’s Journey Into Night (Wyndham’s, BAM & LA); Winter, trade, Dutchman (Young Vic); Nell Gwynn (ETT tour & Shakespeare’s Globe); My Brilliant Friend (Rose, Kingston); The Pitchfork Disney, Killer (Shoreditch Town Hall); Annie Get Your Gun, Lady Chatterley’s Lover, Flowers for Mrs Harris, Waiting for Godot, Queen Coal (Sheffield Theatres); A Pacifist’s Guide to the War on Cancer (Complicite/NT); Sheppey, German Skerries (Orange Tree); Insignificance, Much Ado About Nothing, Jumpy (Theatr Clwyd); Henry V, Twelfth Night Re-Imagined (Regent’s Park Open Air Theatre);The Buskers Opera (Park); Hedda Gabler, Little Shop of Horrors (Salisbury Playhouse); Goodnight Mister Tom (Duke of York’s & tour – for ATG); wonder.land (Manchester International Festival & National Theatre); Albion (Bush); The Light Princess, Emil and the Detectives, The Elephantom (National Theatre); One Man, Two Guvnors (Theatre Royal Haymarket recasts); The Rise and Shine of Comrade Fiasco, I’d Rather Goya Robbed Me of My Sleep Than Some Other A*sehole, Gruesome Playground Injuries (Gate); Our Big Land (New Wolsey, Ipswich, and tour); Forever House (Drum Theatre, Plymouth); Cabaret (Savoy & National Tour); Desire Under the Elms(Lyric Hammersmith); Not Another Musical(Latitude Festival); Run! A Sports Day Musical(Polka Theatre); Shivered (Southwark Playhouse); The Tour Guide (Edinburgh Festival); Bunny (Underbelly, Edinburgh/Soho Theatre/59E59, NY) and First Lady Suite (Union Theatre).