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DEATH OF A SALESMAN WEST END

“I don’t say he’s a great man…but he’s a human being, and a terrible thing is happening to him. So attention must be paid. He’s not to be allowed to fall in his grave like an old dog. Attention, attention must finally be paid to such a person.”

Marianne Elliott co-directs with Miranda Cromwell, (Associate Director on Company and Angels in America), bringing a unique vision to one of the greatest plays of the twentieth century, seen through the eyes of an African American family.

Wendell Pierce (The Wire, Suits, Selma) makes his West End stage debut as Willy Loman, with Olivier Award-winning Sharon D. Clarke as Linda Loman.

★★★★★
REINVENTION OF A MASTERPIECE
THE TELEGRAPH
★★★★★
FRESH REVIVAL OF AN OLD GREAT
THE TIMES
★★★★★
A PHENOMENAL PRODUCTION THAT UNQUESTIONABLY FINDS NEW DEPTHS TO THE PLAY
TIME OUT
★★★★★
FRESH, COMPASSIONATE AND ULTIMATELY DEVASTATING
EVENING STANDARD
★★★★★
A TRANSFORMATIVE, BRILLIANT STAGING WHICH OFFERS A DAZZLING NEW LOOK AT A DAZZLING PLAY
WHATSONSTAGE

10 Weeks Only From 24 October

Piccadilly Theatre, 16 Denman St, Soho, London W1D 7DY

Mon – Sat: 7.30pm | Wed & Sat: 2.30pm & 7.30pm

 

 

Cast and Creative

  • Marianne Elliott

    Director

    Marianne Elliott

    Director

    Marianne Elliott

    Photography: Kevin Cummins

    Marianne Elliott is Artistic Director of Elliott & Harper Productions alongside her producing partner Chris Harper. Elliott & Harper’s most recent shows include Stephen Sondheim’s Company at the Gielgud Theatre and the West End premiere of Heisenberg: The Uncertainty Principle both directed by Elliott; and the co-production of The Lion, the Witch and the Wardrobe, directed by Sally Cookson at West Yorkshire Playhouse. Company received 4 Olivier Awards including Best Musical Revival and received 2 Evening Standard Awards including Best Director.

    Marianne Elliott was an associate director at the National Theatre for ten years where she most recently directed Angels in America which transferred to Broadway in March 2018 where it won three Tony awards, including Best Revival and an additional eight Tony awards nominations including Best Director.

    Elliott’s other productions for the National Theatre include War Horse which she co-directed with Tom Morris (and West End and Broadway transfers; winner of the Tony Award for Best Direction of a Play), and she directed The Curious Incident of the Dog in the Night-Time (also West End and Broadway; Olivier and Tony Awards for Best Director and Best New Play; South Bank Sky Arts Award). Other plays at the National Theatre include Husbands & Sons(a co-production with the Royal Exchange), Rules for LivingThe Light PrincessPortSeason’s GreetingsWomen Beware WomenAll’s Well That Ends WellMrs AffleckHarper ReganSaint Joan (Olivier Award for Best Revival, South Bank Show Award), Thérèse Raquin and Pillars of the Community(Evening Standard Best Director Award). She was an associate director at the Royal Court, where her productions include Stoning MaryNotes on Falling LeavesThe Sugar Syndrome and Local.

    Previously she was an artistic director of the Royal Exchange where she directed PortDesign for Living, Les BlancsAs You Like ItA Woman of No ImportanceNude with ViolinFast FoodMartin YesterdayDeep Blue SeaMad for ItPoor Superman and I Have Been Here Before. Other theatre includes Sweet Bird of Youth at the Old Vic; Much Ado About Nothing for the RSC; and The Little Foxes at the Donmar Warehouse.

    Marianne is currently co-directing Arthur Miller’s Death of a Salesman alongside Miranda Cromwell at the Young Vic, starring Wendell Pierce, Sharon D. Clarke and Arinze Kene.

  • Miranda Cromwell

    Director

    Miranda Cromwell

    Director

  • Anna Fleischle

    Designer

    Anna Fleischle

    Designer

  • Aideen Malone

    Lighting Designer

    Aideen Malone

    Lighting Designer

  • Carolyn Downing

    Sound Designer

    Carolyn Downing

    Sound Designer

  • Charlotte Sutton CDG

    Casting Director

    Charlotte Sutton CDG

    Casting Director

    Theatre includes: The Chalk Garden, random/generations, Present Laughter, Quiz, The Norman Conquests, The Stepmother, Fiddler on the Roof, Sweet Bird of Youth, Caroline, or Change, Strife, Mack and Mabel (Chichester Festival Theatre); Long Day’s Journey Into Night (Wyndham’s, BAM & LA); Winter, tradeDutchman (Young Vic); Nell Gwynn (ETT tour & Shakespeare’s Globe); My Brilliant Friend (Rose, Kingston); The Pitchfork Disney, Killer (Shoreditch Town Hall); Annie Get Your GunLady Chatterley’s LoverFlowers for Mrs Harris, Waiting for Godot, Queen Coal (Sheffield Theatres); A Pacifist’s Guide to the War on Cancer (Complicite/NT); Sheppey, German Skerries (Orange Tree); Insignificance, Much Ado About Nothing, Jumpy (Theatr Clwyd); Henry V, Twelfth Night Re-Imagined (Regent’s Park Open Air Theatre);The Buskers Opera (Park); Hedda Gabler, Little Shop of Horrors (Salisbury Playhouse); Goodnight Mister Tom (Duke of York’s & tour – for ATG); wonder.land (Manchester International Festival & National Theatre); Albion (Bush); The Light Princess, Emil and the Detectives, The Elephantom (National Theatre); One Man, Two Guvnors (Theatre Royal Haymarket recasts); The Rise and Shine of Comrade Fiasco, I’d Rather Goya Robbed Me of My Sleep Than Some Other A*sehole,  Gruesome Playground Injuries (Gate); Our Big Land (New Wolsey, Ipswich, and tour);  Forever House (Drum Theatre, Plymouth); Cabaret (Savoy & National Tour); Desire Under the Elms(Lyric Hammersmith); Not Another Musical(Latitude Festival); Run! A Sports Day Musical(Polka Theatre); Shivered (Southwark Playhouse); The Tour Guide (Edinburgh Festival); Bunny (Underbelly, Edinburgh/Soho Theatre/59E59, NY) and First Lady Suite (Union Theatre).

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